MOM AND SISTER KILLS INNOCENT SON **NOT CLICKBAIT**

             During Mersault’s time in prison, the most memorable moment was when he was narrating the “Czechoslovakia story”, where the mom and sister accidentally beat the son to death for his money. In particular, I was intrigued by the phrase “On the one hand it wasn’t very likely. On the other, it was perfectly natural.” Is it perfectly natural? I initially only agreed with the first part of his statement. This type of event is not likely. It was a bunch of unlikely and unlucky events happening consecutively. However, he claims that it was also completely natural.

             Since the beginning of the novel, Mersault seemed as though he was disconnected from society. He seems to ignore societal norms and has a blurry distinction between right and wrong. That being said, when I first read the comment that Mersault made saying that it was perfectly natural, I thought that he was a complete psychopath. How, in any way, were those series of events natural? 

              However, thinking about the series of events in the Czechoslovakia story step by step, his statement makes more sense. On the whole, this event is unnatural, a mother and sister killing the son is not something that just happens. However, given the circumstances of this particular story, each decision that each of the characters make seem justified and reasonable. When the rich son returns home, it’s reasonable that he wants to surprise his family. The surprise itself was a bit odd, but understandable by his excitement of seeing his family after a long time. Also, given that an incredibly rich person is sleeping in your house, it’s also quite reasonable that they would kill him for selfish gain. Once figuring out that they had just murdered their own son for money, it makes sense that they would commit suicide from their intense guilt. As Mersault says, “it was perfectly natural.” In the perspective of each of the character in the story, each character’s actions were understandable.

            Perhaps this story is drawing a parallel to Mersault’s own story. From an outsider’s perspective, Mersault’s act of killing an Arab seems almost unjustifiable. He killed a man! But, was Merault’s act “perfectly natural”? Given Mersault’s circumstances, were the actions that he made reasonable? 

            I'd like to hear what you guys think!

Comments

  1. Meursault's response to this story, that it was "perfectly natural", reminds me of a class discussion we had about how Meursault is reluctant to pass judgement. Presumably a lot of people upon hearing that story would be horrified with what the mom and sister did; I know I was. However, this is because we are letting our human emotions cloud our view and judging the story instead of analyzing as Meursault tends to do. If, like you described in your post, we view this sequence of events purely analytically and from each character's perspective it does make "perfect sense", as Meursault said.

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  2. Interesting post! I think that the two stories are similar in that they both include many steps that ultimately lead up to a death. However, I disagree with Meursault’s act being “perfectly natural”. In the news article story, each of the characters are driven by emotion, they have and serve a purpose. Yet Meursault doesn’t show any emotion and had no drive to kill the Arab. Although given his lack of knowledge of societal norms, frequent discomfort from the heat, and little emotion, it may seem that Meursault views his actions as “perfectly natural”, attributing the sun to him pulling the trigger.

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  3. I never really gave the Czechoslovakia story that much thought, but you’re right, it is a very weird Meursault moment. The thing that strikes me as especially weird is that he’s contemplating the likelihood of this happening, not the emotional weight. He says that it’s either “not very likely” or “perfectly natural” – either that it has a low chance of happening, or a pretty decent one. He isn’t at all reflecting on how it’s horrible that people murdered their own son and then killed themselves, even though he rereads the article dozens of times. Like you said, this moment just further shows Meursault's disconnect from society.

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  4. I think that Gregor's motivation is certainly not "perfectly natural", considering how society as a whole is baffled by his unemotional behavior and inability to feel. Although the trial doesn't really focus on the murder, we can infer that his motivations to kill are not normal compared to the rest of society.

    Also, when I read the Czechoslovakia story, I drew parallels to The Metamorphosis, where Gregor basically dies at the hands of his family. His family doesn't really recognize him by the end of the story, and they indirectly kill him by saying that they don't want him around anymore. Perhaps we can draw a parallel between Gregor and Meursault? Maybe Meursault has feelings inside and wants to convey them, but his body doesn't allow him to, similar to how Gregor wants to communicate but cannot in his insectoid form.

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  5. He definitely uses "natural" in a curious way, but I think this way of viewing what most of us would see as a bizarre and horrific story reveals a lot about how Meursault understands his own crime. "Natural" here seems to mean something like "explainable with reference to circumstance"--or, the mother and sister are just doing what they think they need to do, and there's no reason they should pick up on the fact that this is their son/brother. He's the one who is "playing games," and Meursault observes that if he hadn't started all this nonsense, they wouldn't have killed him. (It is rather galling that this mother-daughter team would just routinely murder a guest they *didn't* think was their brother!) So Meursault is basically saying that he can see how it came about, or he can "understand" how something like this would happen--it's "natural," under the circumstances. By the same lights, his senseless murder on the beach is "natural" if we take into consideration all the forces that led to him pulling the trigger.

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